Our New Film: Justine

We're very excited to be crowdfunding our new project, a film based on the Marquis de Sade's Justine!  

Want to be a part of this amazing new movie, "More Sadistic than De Sade himself"? Then check out our campaign at the link right here! 

We have tons of amazing perks in return for your contribution, like downloads, DVDs, signed books, and there are also ways for you to have a say in the content of the film!!!

Fantastic Review of Le Marquis de la Croix in the Beverly Hills Outlook!

Mila Joya and Jac Avila in Le Marquis de la Croix

"(Le Marquis de la Croix)... is a master class in film direction, courtesy of Hesketh herself.". Nice! Right?

You can read the full review by clicking right here!

I'm very pleased with this review, it really could not be better. A big thank you to Charles Lonberger for this. Quite frankly, he understands my films 100%.

Haven't gotten your copy of the movie yet? You can find the DVD Here, or the Download Here!

A fabulous review of Barbazul will be coming out in the same publication very soon, I can't wait to share the link!

The Official Theatrical Trailer of Dead But Dreaming!

The 25th of July Dead But Dreaming (Muerta Pero Soñando) hits Bolivian movie theaters! Below is the fantastic trailer of Jac Avila's latest masterpiece, featuring yours truly and many other talented actors, such as Veronica Paintoux, Mila Joya, Jac Avila, Jorge Ortiz, Claudia Moscoso, Rhobess Pierre, Beto Lopez, Eric Calancha, and many more!

Use the toggles below to watch it in HD, it's worth it!

An Interview, and Review of Le Marquis de la Croix

What was in that tea?

I am so pleased to see today that an interview with yours truly about Le Marquis de la Croix has been published on Obscure DVD and Video Blog!

But that's not all, there's a fantastic review of Le Marquis de la Croix there as well, in which I'm again called the "female Jess Franco", and Jac Avila is compared to the late Klaus Kinski!

To read the interview with moi click here!

To read the fabulous review, click here!

Mila Joya and Jac Avila in Le Marquis de la Croix

Death, Maleficarum, Reviews, Olalla

As some of you may already know from my posts on Facebook, my father passed away not long ago. Although I was supposed to be prepared for it, I wasn't. So, I took an emergency trip up to the great white North, saw friends and family, and slogged through a bunch of bureaucratic paperwork. Why does death involve so much paperwork? Incredible.

Robert Louis Stevenson, my new BF

I'm back in the South now, where the water goes down the drain the other way, and am getting back to the project at hand, my next movie, Olalla, in the midst of mourning. My next movie involves death. And a strange family.

I was perusing the interwebs and found that someone had written a review about Maleficarum recently on horrornews.net. You can read it right here!

I also received some spectacular reviews of Le Marquis de la Croix and Barbazul from the Beverly Hills Outlook, which will be published this year. Here are a couple of excerpts below:

Le Marquis> "This intense and focused Bolivian production, handsomely mounted by Amy Hesketh and Jac Avila with just the right visual accents and splashes of color for Decadent Cinema, is a master class in film direction, courtesy of Hesketh herself."

Wow, "masterclass in film direction", thanks!

Barbazul> "This Latinization of Bluebeard is the most successful adaptation of that fairy tale to the cinema to date, as, in it, cineaste Amy Hesketh subtly expands her thematics from her already established central concern of Control (of one being over another) to Complicity."

Again, seriously, thanks!

A bit of Inspiration

Olalla also includes themes of Control and Complicity. I do seem to like those themes, don't I? I'm also including Incest, Genetics, Vampirism, the Victorian, and the Gothic. Just to round things out.

More Inspiration

The Release of Barbazul

I am very happy to announce the release to Download and DVD of my film Barbazul!

Below is the Official Trailer, the naughty bits are blurred out so your eyes don't bleed from shock...

You can see the uncensored version on vermeerworks.com.

Download the Movie Here or Get the DVD Here!

Le Marquis de la Croix, a review by Dean Andersson

Dean has been so very wonderful in his reviews of Maleficarum and Sirwiñakuy, and now he has turned his literary hand to a review of Le Marquis de la Croix. It's simply marvelous, and you can see it on IMDB right here or read it below!

Dean has been so encouraging with these reviews, and I'm really glad we connected. In an abundance of reciprocity he has sent me several of his amazing books, which I am reading now and will comment on in different posts here on my blog, so stay tuned!

You can Download Le Marquis or Buy the DVD at VermeerWorks!

Amy Hesketh creates pull-no-punches art undared by ordinary filmmakers., 15 December 2012

Author: C Dean Andersson

*** This review may contain spoilers ***

Amy Hesketh's Le Marquis de la Croix impressed me on many levels. Her extraordinary, pull no punches approach to filmmaking creates stories the timid would never dare and the ordinary could never conceive.

Le Marquis de la Croix captures a pure essence of the Marquis DeSade's defiant, revolutionary writings. Its challenging subtexts worked subconscious magic to remind me both of a personal experience of death and the disturbingly innocent opening scene in Sam Peckinpah's The Wild Bunch where "innocent" children gleefully torture a scorpion.

Hesketh gives the reality of a single death more potent impact than a hundred slash and burn action film deaths shown in forget-'em quick video cuts, sudden, violent, and gone. Yes, prolonged violence in the form of torture causes death in Le Marquis de la Croix, but that death is shown to be defiantly slow in coming. It forces viewers to realize that, given the chance, Life makes Death work hard for its victory, the way I remember death coming to a friend at whose bedside I once waited.

Jac Avila's chilling performance as the Marquis makes clear the imprisoned aristocrat's clinical detachment as he scientifically records his observations of the young woman's suffering. But in contrast, Avila also drives home the intimate involvement of a torturer with his victim.

Mila Joya's Zinga is poignantly believable as the helpless victim whose initial hope that she can escape public execution by surviving the Marquis' private depredations slowly fades, forcing her to reluctantly accept that death alone awaits her, an end to all her hopes and dreams, an outcome not unlike that of the doomed protagonist at the end of DeSade's Justine.

Another nice touch is Hesketh's selection of background music, including the ironic choice of an historical chant-song voiced by revolutionary French peasant-citizens while they executed aristocrats—as the sadistic aristocrat in her film executes his peasant-victim.

But wait! There's more! Hesketh adds a wonderful and unexpected Twilight Zone ending that would make Rod Serling proud. In an IMDb review of Hesketh's film, Sirwiñakuy, I compared her direction to Hitchcock's, who famously appeared in cameos in his films. Hesketh does more than a mere cameo in Le Marquis de la Croix. Her performance in the framing sequences at the beginning, middle, and end makes dear Uncle Alfred's cameos pale by comparison and zaps viewers with a viewpoint revelation, casting the entire cinematic narration into an unexpected context.

Then, too, there is a commentary track by Hesketh and Avila that you can activate, containing fascinating, informative, and entertaining information.

I have no idea what Amy Hesketh is going to create next, but folks, if you've got any sense left at all, you'll fight me for first place in line to see!

1st Review of Le Marquis de la Croix

Le Marquis de la Croix

Bolivia 2012
produced by
Amy Hesketh, Jac Avila, Roberto Lopez L. for Decadent Cinema
directed by Amy Hesketh
starring Mila Joya, Jac Avila, Amy Hesketh, Eric Calancha
written by Amy Hesketh

review by
Mike Haberfelner (re)searchmytrash.com

A young tourist (Amy Hesketh) stumbles into a museum dedicated to the (long deceased) Marquis de la Croix (Jac Avila). She catches the guide (Eric Calancha) depicting the last years of the Marquis, when he was held in solitary confinement - well, solitary confinement in theory at least, actually, against a healthy sum of bribe money, he was given an endless supply of beautiful young condemned-to-death female convicts to torture and kill at his leisure ...
The Marquis's latest victim is Zynga (Mila Joya), a young gipsy who might be innocent of the crime she has been accused of, but her innocence only attracts the Marquis all the more to her, as he forces her to fellate him. whips her, strips her naked, puts her on the rack, humiliates her in every way imaginable, and whips her some (well, a lot) more, until he has broken her spirit and she begins to feel her torture and humiliation as normal and accepts him as her master. And then he crucifies her ...
Of course, this story can't be verified or falsified, as it only exists in the Marquis's memoirs, which might be 100% made up. Then again, this could happen to everybody, even our young tourist ...

One thing up front: Le Marquis de la Croix is not a film for everybody, as it doesn't shy away from showing exactly what it's talking about - which means you see a naked woman being tortured and humiliated, a lot. And while Mila Joy does look just gorgeous in the nude, you might not want to see her treated that way ... but on the other hand, at the end of the day, this is just a movie of course.
With the obvious out of the way, Le Marquis de la Croix, despite its very graphic content, is more than just mere torture porn, as in its off-screen narration (by the Marquis himself) it mines the de Sade-like philosophy of its villain and gives fascinating insights into his depraved mind - but in a twisted way that reminds one of Nietzsche's "if you gaze into the abyss, the abyss gazes also into you."
So once again, this film isn't for everybody - but if you can stomach it, it's also a quite fascinating little film.

Oh, and if my review at all got you interested, you may want to get the movie from here:http://movies.vermeerworks.com or http://vermeerworks.com/store/dvds/

review © by Mike Haberfelner

Maleficarum - Dean Andersson's View

As requested, here's horror writer *Dean Andersson's take on Maleficarum! (Contains Spoilers!)

 "Amy—I downloaded Maleficarum and just finished watching it. That fan I talked to at the convention—he did not praise the film enough. It was so much more than even I had expected. I’m not a filmmaker, so I’m not sure just how Jac pulled it off, but one thing I do know is that you and Mila totally sold it. Incredible. Look, I’m sitting here with tears drying on my face. That is impossible. I’ve watched so many films. They almost never strike that deeply. You two and Jac’s direction made the women’s plight so horribly believable, so real, and yet heroic. 

Several scenes are going to keep replaying in my head. The moment when Mila’s character was looking up at you, and she almost said okay to the confession, then turned and spit at the Inquisitor instead, I felt like cheering, even though I, and she, knew it was going to mean even more horror. And the scene where your character was over the fire while Mila’s character kept begging, “Enough!” with her face twisted by anguish for you, but the men, like statues, ignoring her, painted a perfect picture of impersonal authority that unfortunately doesn’t stop in our world with the historical Inquisition. And the scene where they allow her to sit and you crawl to her and she strokes your hair, there was such love in that scene, how could it help but tear at a viewer?

 And then your agonizing crawl to her after your rape, you made each movement seem so hard, so painful, but your wounded character was so heroically determined, I felt like shouting “Somebody HELP her, damnit!” I guess you could say that by then I felt very “involved.” And your character’s prolonged burning—have you seen Oliver Reed’s death by burning scene in Ken Russell’s THE DEVILS? I always loved Reed’s work, but I swear you could have taught him some new tricks. Really. I kept hoping someone would rescue you in time. But it went on and on as the flames slowly grew—then the surprise ending, very satisfying, and even though your character was scarred and crippled, the two women survived! And triumphed. Excellent.  

You mentioned that the director’s cut had uninterrupted torture scenes, but I think having the torture scenes interrupted by the “reality show” testimonies and flashbacks kept the viewer from becoming numb to the brutality of what was happening. Still, yes, I’d like to see Jac’s director’s cut sometime to compare them.  

But if he feels as I do about the insanity of the Inquisition, and I’d guess from the film he just might, you can tell him that in my opinion he drove that message clear through the wall and out the other side. Obviously, everything about the film (even that incredible choice for music during the tortures…sweet piano chords? Brilliant contrast! And their repetition became a little like Chinese water torture to the ears) left me very impressed! Thanks so much!"

When you get this kind of feedback for a movie it's fabulous. I am so very pleased that this movie affected Dean in this way. Films should be like mirrors to our souls, so each person will see and feel something which is deep inside of them. They will react and respond, and I love every minute of that. Each time someone sees something unique in a movie in which I have participated, I feel that the great cultural dialogue becomes more and bigger than all of us.

*Dean Andersson, also known as C. Dean Andersson, is a prolific horror writer of such novels as I Am Dracula, and Torture Tomb. You can find out more about him and his books RIGHT HERE! And here on Amazon.com.

The release of Le Marquis de la Croix

So the day is fast approaching for the release of Le Marguis de la Croix. But... you ask... when will that be?  October 31st. Yes, Halloween, one calender year to the date of the release of Maleficarum!

And since everyone has been so patient, I have a trailer for you. It's on youtube, so we had to conform to their strict policies. No worries,  there will be an uncensored trailer up on VermeerWorks very soon!

Obscure Video and DVD Blog: INTERVIEW WITH AMY HESKETH

After a really nice review of Maleficarum appeared in Obscure Video and DVD Blog back in July, he was nice enough to ask me to do an interview as well. You can read it on his blog or right here below!

INTERVIEW WITH AMY HESKETH

Amy Hesketh, not many know the name that read this blog, but she is a very talented and beautiful young woman who starred in a film I reviewed here called Maleficarum, about the Peruvian Inquisition and it has developed into my most read review and has made traffic to this site triple.
My blog deals with older movies, cult films,a few newer low budget gems and the like, but Maleficarum struck me as a cross between Jess Franco films and the witch finder films of the 60's and 70's.
I consider Amy a very "Jess Franco" type director with a similar vision (I hope she doesn't mind me saying that).
Amy was very kind to link the review to other sites and I decided to see if I could do a small interview about her and her other projects.
Here, below are the results of that request and some interesting pics of her upcoming projects.
WARNING: THE PICS CONTAIN NUDITY....


I know you were shown the movie Fright Night with Roddy McDowell when
you were six,
but are there other films of that genre that you like and got you
interested in movies?


Four films that I saw when I was younger are Return to Oz (1985), Warlock (1989), Tale of a Vampire (1992), and Boxing Helena (1993). I realize that it's a bit strange that three of these films feature Julian Sands... I also realize that some of these are not movies for young people. My dad was great about not censoring my viewing, he let me watch what I wanted. These movies made a big impact on me. I realized very young that horror, violence, obsession, sex, art, and perversion were the "good stuff" in movies. I think my work features a healthy dose of the "good stuff".

What kind of film would you ultimately like to direct?


I'm so happy to have the freedom to write and direct almost any movie that tickles my fancy, I have several scripts and ideas on the burner for the next few years. Eventually I would like to be able to obtain the film rights to a rather famous book that was slated to go into the public domain last year and didn't.




Can you give us a little info on the movie you are now directing
called Le Marquis de la Croix, such as when it will be released?


Le Marquis de la Croix and Barbazul I directed in 2011and they'll both be released this year, Le Marquis will be direct to DVD/VOD in the Fall, and Barbazul will debut in Bolivian theaters October 11th.

Le Marquis de la Croix is inspired by the writings of the Marquis de Sade. The film features a man who is writing in prison, played by Jac Avila.. It's implied that le Marquis was locked up for obscenity. He pays for a young woman, a gypsy, Zinga, played by Mila Joya, to be brought to his cell. He writes about and commits all kinds of atrocities to her. It's intense. I really tried to bring the writings of de Sade to life in this movie in a very graphic way. At the same time, I wanted to keep it a bit fun, a bit campy, old-timey exploitation, done in a post-modern way, with a sprinkling of social commentary. I think I succeeded in doing all of that.

Barbazul (Bluebeard), is based on the children's story by Charles Perrault about a man (with a blue beard) who kills his wives. He's a serial killer. This, again, is a very graphic movie in terms of violence and nudity. It seemed as though other movies made about Bluebeard skimmed over the more intense elements of the story. There was a hole in the cinematic trajectory of Bluebeard. I'm not one to squander an opportunity so I made Barbazul much in the fashion of the 1960's/70's Italian exploitation horror flicks of yesteryear but, like I do, went farther with the "good stuff". It's a tense and terrifying movie, but has enough (very) dark humor to appeal to a wider audience.






 

Have you always wanted to both act and direct or does one interest you
more than the other?


I started taking acting classes when I was 6 years old and I've wanted to direct since I was about 10 or 11 years old . Both have their value and interest to me. Being on both sides of the camera makes it easier for me to ask for more from my actors and to understand what they're going through. I've acted in difficult roles and done extraordinary things, so when I tell them to do something that may sound a bit crazy I'm pretty sure my actors think "Well, at least I don't have to sit on a wooden horse for 5 hours like you did!". One actress told me straight out that it's amazing that I think up these crazy ideas for movies and everyone just goes along with me like what we're doing is normal. Like the Pied Piper of Crazy Art Movies. I doubt anyone who works with me would want to continue to do so if I made "normal" movies, they would think I had completely lost my mind.


What are your five favorite movies of all time and why?


Well, if I can only choose five...there are so many more that are not on the list below.

Pretty much all of the movies I love have one thing in common, a depiction of the point when the personality is stripped away and something is revealed beneath: the animal, instinctual, something sick or undefined. It's what I explore in my own movies. Call it an obsession.

1)The Night Porter (1974). Dirk Bogard and Charlotte Rampling, two amazing actors in a very sexy film. It's audacious, crazy, wonderful. I would love a role like Charlotte's. Dirk Bogard in a Nazi uniform gives me a frisson.
2)Le Mepris (1963) Brigitte Bardot in what I perceive to be her most revealing role. I have a thing for the miserable, lost and existential.
3)Jules et Jim (1962) Weird threesome, dark, existential, what's not to like?
4)Weekend (1967) In my opinion, Godard's most important film. It also embodies the spirit of film-making for me.
5)Antichrist (2009) When I saw this in the theater in NYC, half of the audience walked out. I was leaning forward in ecstasy, hoping it would be 8 hours long.
 
 


My blog is usually about off the wall and older films yet Maleficarum
seems, at least to the people who read it to fit right in. How do you
feel about that and account for it?

I'm very glad that Maleficarum fits into your blog as we admire the movies you write about here. Maleficarum, as well as the other films that we make, is made in the style of the older audacious exploitation films of yesteryear. Those films were shocking in their day, and our films are shocking now. We take those older films as inspiration and build upon that, going farther with the "good stuff". Essentially we make the movies we, ourselves, would like to see, but can't find because they don't otherwise exist.

Maleficarum is interesting to viewers in many different ways, historically because we use actual transcripts of testimonies from the Peruvian Inquisition (it's amazing to think that people really said these things), in terms of how we graphically show the tortures as realistically as possible, no holds barred, and the story arc of the victims, the sad tale that it is.


Where eventually do you want your acting career to go?

I plan to keep pushing myself until I burn out... joking! I want to get to a point in which I've acted in every role imaginable, a point in which I can say, "you did good, kid". It could be a long time from now.





Is a sequel to Maleficarum planned?

We haven't planned a sequel to Maleficarum, however we may touch upon the theme of the Inquisition in a film again. We've had so many emails and messages requesting just that, it would be hard to let people down. ;)






I know from very personal experience that I get a rush from making a
movie. Do you have the same feelings when acting and directing?

It's the best! I get more of a rush from writing and directing a film than acting. Standing behind the camera when the actors do something really good, when the scene comes to life right there in front of you, pretty much exactly how you imagined it, is thrilling. Acting is more complicated for me. The characters I tend to play, having to enter into the soul of another and leave myself behind is draining. When I watch the dailies and see I did a good job, that's when I get a good feeling from acting.

An exception might be some scenes in Maleficarum. There was adrenalin involved when we shot the roasting scene. A lot of adrenalin. I was scared out of my mind. That's a kind of rush I guess.

My recent role in Diego Torres' experimental film La Montaña Interior was an exception as well. To have to hike up to about 5000 meters (16,000 feet), shoot some scenes, then take my shirt off in front of a glacier (a glacier!), shoot that scene before the clouds came in, and then go back down. That was a rush. More from the extreme cold than anything else...  

I gave myself a lead role (which I normally don't do) in my new film Olalla, inspired by the story by Robert Louis Stevenson. That could be a rush, and an opportunity for catharsis.



I hope you enjoyed this small little interview with someone whom I think will go BIG places.
Maybe I should have Amy in my next project? A huge thanks to Amy for the pictures in the interview.
 

Great review of Maleficarum

Another great review came in from an interesting blog, which you can check out RIGHT HERE!

You can download the movie here or get the DVD here!

MALEFICARUM 2011

I get a bucket of water in my face.

Well, this is highly unusual for my blog to feature a film like this. Why do I say that? Well this film is very hard to catagorize. It is not a "torture porn" film like the recent crap being made, nor does it fit into any other genre of films I usually review.
I guess I would put it in the group of films like Inquisition, El Inquisador and Bloody Judge, but it isn't a witch hunting film either. It is a story that is at once horrific and will make you sit up and take notice.

It was not pleasant.

It involves two young women who are brought to the Inquisiton by the church, who really only wants the money and possessions of one of the women. They are accused of every stupid and silly things that people say about them and they are stripped and tortured in many various and painful ways by the church.
Both are whipped, burned, stretched on the rack and many other atrocities. This is not a pleasant film and the ending with burning at the stake for one of the women is not at all easy to watch.
Both women are beautiful and they are naked thru 99% of the film. The torture isn't presented in an exploitative way, but in a way that makes you understand the horrors of the acts against these women.
Lovely Amy Hesketh is Mariana de castro and Mila Joya is Francisca de la Cruz, the two women who are brought before the inquisition. Both women do a fine job and Amy REALLY suffers for her art here folks.

In fact, I liked it about as much as a kitten likes a bath.

Director Jac Avila knows how to make a damn good story and not make it too exploitative.
If you get the chance, you will want to see this film, but please know it has ample violence and both women are nude throughtout the entire film, except the very beginning and the end.

Highly Recommended!!

I answer some questions from fans

It took me long enough, but I finally got around to answering the questions my kind fans sent me about Maleficarum. Here they are below in five clips. Enjoy!

The movie Maleficarum is available on DVD Here and Download Here!

Interview 5 for Maleficarum

That's me, in split screen.

Here's another interview we did yesterday for Cadena A, here in Bolivia, about the movie Maleficarum. Hooray!

You can download Maleficarum or buy the DVD at these links:

DVD

DOWNLOAD

Maleficarum Goes to the Movies

What am I looking at?

Today is the opening of our movie Maleficarum! In 3 cities and 4 movie houses! We're all very excited to see how the public reacts to the movie, but based on the reaction we had from the many who attended at the premiere, it'll be interesting. Speaking of the premiere...

What do you do when everyone has to walk to the premiere of a movie? Monday, May 7th, 2012, Jac, Beto and I sat in the Multicine on the avenida arce waiting to see if anyone else would arrive for the premiere of Maleficarum. We decided that if only a few showed up, we would simply go home and have a beer.

This is the guy who tortures me the entire movie...

But as it edged closer to 8 o'clock, more and more people began to trickle into the theater. We greeted actors and friends, and when it was suggested that we all take some pictures in front of the banner, as the flashes started popping in a frenzy, we realized that there was a crowd.

We posed for many photos, press, social pages, people with cell phone cameras, professional cameras. It was great, we all felt very proud of ourselves and everyone who participated in the movie.

One of the spectators asked if the movie was filmed in 35mm, the photography was that good. Another said that their video games are so violent that violent movies no longer affect them but they liked Maleficarum. And another said that Maleficarum surpasses The Passion of the Christ and Saw for its violence, that it's veeeeery strong. For each person who had a hand in making this project happen, it's your movie, own it and be proud!

Downloads and DVDs of the director's cut of Maleficarum can be had here:

DOWNLOADS

DVDs

A large portion of the cast of Maleficarum!

Another Interview About Maleficarum & A Transportation Strike

Me, smiling.

Today I awoke to the sound of... nothing. No cars, not one vehicle in the street. A 48 hour transportation strike has been declared. Fortunately for us, that didn't put much of a damper on the turnout for tonight's premiere of Maleficarum! (I'll be blogging about that tomorrow)

So going back to this morning, Jac, Mila, Eric and I had an interview programmed for 11AM this morning in Fides, Bolivian TV. Eric made a big effort and walked down from his house in El Alto (loooong walk, folks), Mila walked from her neighborhood (not as long, but still), and Jac and I power-walked like maniacs as well. We all arrived to the TV station on time, hooray!

This is the interview below, enjoy!

My birthday and a second TV interview for Maleficarum

How nice of them to phonetically spell my name for the viewers!

Right on time, a birthday card arrived at my door from my mom! Inside it played James Brown's "Do What You Wanna Do". So great! My parents have always been supportive of what I wanted to do in my life even if they thought it was risky and crazy. If my dad didn't have advanced dementia, I'm sure he would have called me like he always did on my birthday. I'm so grateful to my parents for bringing me into this world and teaching me valuable life lessons (mom), and how to fix a car (dad), among many other things.

So, for my birthday I thought I would post the second interview, from last night. This one went a little better... since I was actually awake! While I still haven't managed to master the Spanish language, I communicate pretty well. 

First TV interview about Maleficarum

We've started the media tour for the premiere of Maleficarum in cinemas here in Bolivia, which means lots of TV interviews. I've translated part of the first here so you can laugh openly at me. It's ok, go ahead.

Please keep in mind that I normally don't get up before 9AM unless we're shooting a movie (I sleep a lot, ok?), so rising at 6AM was really early for me.

Also, I put on the clothes I was wearing the day before, like, picked them up off the floor and put them on. More thought should go into these things. I look like I'm from the far North (which I am...), or very cold. Very, very cold.

Hemos empezado el tour de medios aqui en Bolivia para el estreno de Maleficarum, muchas entrevistas pues. Yo puesto uno aqui para que puedan reirse un poco de mi.

Normalmente, me levanto a las 9 de la mañana, excepto cuando estamos rodando una película (me gusta dormir, ok?) entonces levantarme a las 6 es un poco tempranito.

Tambien me he puesto la ropa del dia antes que estaba en el piso. Parece que soy del Norte (si lo soy, pero...), o que tengo mucho frio. Mucho frio.

TV announcer: You're the producer and actress of the film, yes?

Me: Yes.

TV announcer: So, what's your role in the movie?


Me: I'm Mariana and I'm tortured by the Inquisition.

Jac: (Lots of talk about the movie Maleficarum, which I really should have participated in, but was basically a zombie instead.)

Vampires

As I've been finishing up the script for my next movie, Olalla, I've been thinking a lot about vampires. Mostly since my next movie involves vampires and we just wrapped on another movie about vampires, Dead But Dreaming, and we'll be shooting the second movie in that series soon as well.

The poster of the movie that ruined my 6th year

That will make my movie the third this year. So, what's with all the interest in vampires? For me it started pretty young. When I was about 6 years old my father showed me the movie Fright Night. I'm sure he thought it was appropriate for someone my age, being rated PG. It wasn't, it scared the living daylights out of me and I wore a scarf to bed for a year after that, even in the summer, thinking that vampires were going to come and kill me in the night.  Children tend to think that the world centers around them, don't they?

After the year was up and the vampires didn't come to kill me, I gave up wearing the scarf to bed and began thinking about the origin of the vampire myth. It was just around this time, I was 7 and in second grade, that I was learning about research papers and researching. So, I went to my school library and found several books about vampires. I read them all. In the midst of this, I began to understand the origins of the vampire in media.

She gives you that weird feeling

In my school library were a series of books about monster movies (Universal Studios) from the 30s-60s. The idea of the vampire in film began to take hold of me as a concept. My research broadened to the local library where I read more books and understood the vampire myth and where it came from. I thought about how amazing it would be to make a movie about vampires. It became a lifelong dream. Nay, obsession.

So, you must be thinking that I'm making a movie about the same kind of vampires as Jac's Dead But Dreaming. Nope. Dead But Dreaming's vamps are more classic, infectious vampires, bites, exchange of blood, and a little magical realism later, you've got a legion of the undead. Romantic vampires, with hopes and dreams, and vengeance, internal struggles. Good stuff, but not the same as my vampires.

In my research, I think I got to Robert Louis Stevenson when I was about 9 or 10 years old, I came across R.L.S.'s Olalla. It's the story considered to be the introduction of the concept of genetic vampirism, on which my movie is partly based. A soldier goes to a villa to convalesce, only to fall in love with the daughter of the decadent family who resides there. The family has a craving for blood. It's a strange story. At that time porphyria and related diseases were little understood, thus resulting in the idea that a "vampiric" disease could, or did, exist.

Olalla

My vampires are a family, a rather large family, who has learned to survive through the ages by keeping a low profile. They crave blood, they have to drink it, but it's not considered good form to kill thy neighbors, so they do it discretely. Some of them never even leave the house. And they tend to live longer than other humans.

My character* is named Olalla. She goes back to her family's home after a few years of attempting to escape them and her affliction; the prodigal daughter returns after having done something very, very bad.

For me, Olalla, inflicted with inherited vampirism, has a struggle that is literally superhuman. It separates her from the rest of humanity, it makes her a monster. At the same time, she has no desire to be like the rest of her family. Riddled by incest, they keep the line going, they do not mix their tainted genes with normal human beings. And there are other branches of the family as well. 

In an attempt to "educate" Olalla, so that she does not have to be "put down", her uncle Victor returns to the house to be her "teacher". What ensues is severe corporeal punishment, incest, nudity, bondage, all of the good nasty stuff that should be in a movie of this sort. You know what I mean. While I'm including a bit of camp, and it has its humorous moments like all of my films, it's a disturbing story.

*Yes, I gave the lead female role to myself. I really didn't want to do a casting for an actor who (might) do what I'll willingly do in a movie. I'm less trouble to work with ;)

Maleficarum Interview, Clip 8

In the eighth clip, I talk about the roasting scene in Maleficarum...  

Maleficarum is available for DOWNLOAD and ON DVD!